St. John's, Newfoundland and Labrador, is North America's most easterly landfall. For half a millennium, its perfect harbour has provided a safe refuge in the middle of the treacherous North Atlantic. For 300 years of its history it was an actual crime to try and settle--Newfoundland was the private preserve of British fishing merchants. But people stayed, despite the colonial masters, despite the lack of law and order, despite hellish weather and raging seas. And the city grew--lurching through centuries of crisis, disaster, privation. For filmmaker Rosemary House, "This is still a hard rock land, a dirty old town at the back of beyond. And yet the St. John's townie is so proud, you'd swear we lived in Paris." In this documentary, she explores her city with the help of six locals, Mary Walsh, Andy Jones, Anita Best, Brian Hennessey, Ed Riche, Des Walsh, writers and performers all. (Source: National Film Board)

A comedy writer experiencing a fallow period goes home for the weekend in the hopes that the complicated relationship she has with her mother will be the spark to her creativity needed to finish a script that is due.

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Night and Fog in Kurdistan is a documentary that tells the powerful story of seven Yazidi teenagers who survived the 2014 ISIS genocide. Directed by a Kurdish woman filmmaker with firsthand experience of war and displacement, the film follows their five-year migration journey from refugee camps in Turkey to relocation in Europe. Using innovative mixed methods of documentary making—graphics, maps, archival research, and storytelling—it documents the lasting trauma of genocide, the gendered and intersectional impacts of displacement, and the resilience of these young women as they turn their cameras on themselves, sharing their survival and growth through multiple displacements.

在西餐廳打工的敏恩，心不在焉地犯了錯，遭到經理的責罵，陷入前所未有的陰鬱。隔天，她翹了班，與性格迥異的友人駕著古董名車，駛上沒有目的地的旅途。是尋找救贖，是逃避現實，抑或是拼湊自我？在公路電影的無盡宇宙裡，答案從來莫衷一是。

在西餐廳打工的敏恩，心不在焉地犯了錯，遭到經理的責罵，陷入前所未有的陰鬱。隔天，她翹了班，與性格迥異的友人駕著古董名車，駛上沒有目的地的旅途。是尋找救贖，是逃避現實，抑或是拼湊自我？在公路電影的無盡宇宙裡，答案從來莫衷一是。

Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.

A fishing-boat crew takes on a dangerous commission to smuggle a group of illegal immigrants from China to Korea.

Boy’s first encounter with human cruelty occurs as hunters kill and skin a bear. The gruesome scene sparks physical disgust, spiritual anxiety, profound guilt, and growing alienation from the adults.

At home, an old woman tunes into the radio. As rain drips into the house, dark manifestations appear in her mind.